Friday, 4 December 2015

Victorian Postmortem Photography

I collect Victorian photographs, specifically carte de visite but I have been looking for some postmortem photos for some time now. Oddly enough I've discovered that I'm rather picky when it comes to selecting photographs of deceased individuals so I had yet to purchase one.

Long story short I was scrolling through eBay looking for new images when I came across a photograph that caught my attention. It just so happened to be an image of the postmortem variety, and it agreed with my arguably odd photographic sensibilities when it comes to the depiction of the dead. 




Here lies Andrew [the name can be seen on the top of the open coffin lid]. This is a very large, late Victorian photograph, mounted on card and as you can see the open coffin is surrounded by an elaborate display of floral tributes and ribbons. Details: there's a taxidermy dove in flight among the wreaths, family portraits in the background and some kind of award/medal with a ribbon which has been laid upon his chest. Among the ribbons the word 'brother' can be seen and interestingly there's one which says 'The Brewing Company.'

This kind of photography was very popular during the Victorian era and was made possible by the invention of the daguerreotype in 1839, and was the practice of photographing the recently deceased.

It may seem odd, or even disturbing to us now, but it was common practice in American and European cultures during the nineteenth and early twentieth centuries when frequent death was a very ordinary part of life, especially in that of children where mortality rates were extremely high, and the family may not have had any imagery to remember them by. Later came the invention of the carte de visite which allowed multiple prints to be made from one single negative. 'Snapshot' photography followed and opened up the medium to more people, meaning that this kind of memento-mori photography wasn't necessary so it eventually died out.

I bought the image from an online shop called Down A Dark Alley Emporium from a lovely individual called Serenity. I was pleasantly surprised upon opening it because it was so beautifully packaged, there was a lovely note inside and I received two free photographic cards as extras.



I fired off a message to Serenity to thank her for being so kind and to inform her that I would be writing a little something on here to let others know about her wonderful shop.
Her eBay shop is host to a delightful array of strange and unusual items; collectable antiques, taxidermies, photographs and more and if you're interested in those kind of wonderful things then I suggest you go take a look for yourself!

Down A Dark Alley is a reflection of my own collection of strange and unusual items. My father was an archaeologist and as a result I virtually grew up in museums. Not the modern push-button, video screen museums, but the type of museums stuffed full of Victorian taxidermy, fossils and skeletons all mixed up together. Blended with a healthy interest in the darker side of Victorian culture...an interest in creating dark art...well the result is Down A Dark Alley. - Serenity, Down A Dark Alley Emporium.

eBay: www.ebay.co.uk/usr/down_a_dark_alley
Facebook: www.facebook.com/downadarkalleyemporium
Website: Is currently being made and I shall let you know when it's live!

- VM



Tuesday, 24 November 2015

Historical Clothing

I've been looking for a way to explore history aesthetically, artistically, visually, tangibly and the first thing that came to mind was clothing.

The importance of clothing has been a significant topic throughout the ages. The way one dresses can say a lot about us as an individual, perhaps it can reflect what we believe, or where we came from. It is entirely possible that clothing can act as a measure in determining the character of an individual regardless of those that wave their hand at the superficially that comment can evoke in reality.

I happened upon the work of the lovely Domowa Kostiumologia a few weeks ago and the idea of creating historical clothing was brought back to the forefront of my mind.
You may have seen a video by Domowa recently that has been circulating social media entitled: Real Women - Beauty Through the Decades the Realistic Way. If you haven't you should take a look.

It's an interesting observation on the changing beauty standards of women through the ages with a more historically accurate twist, making it all the more refreshing. Upon watching all of Domowa's other videos, and then finding my way to her blog, I not only saw some brilliant stories being told there but also some beautiful representations of history reflected in the costumes that were being worn within them. I left a comment for her on a video that depicts visits to London, Chatsworth and Haworth in period appropriate costumes. It his a very resonant note with my, having family that originally comes from the historical village of Haworth [home of the Brontë Sisters], and I was very pleased to be able to start up a little dialogue with her over the location and the costumes.

I have been leaning towards exploring historical clothing for some time now but I still haven't completely convinced myself I'll be able to do it, especially considering I have never sewn anything beyond a makeshift pillow in Textiles at school, and my endeavours beyond that with MM have only been simple textiles on a single piece of material!

So I suppose if I do decide to go ahead, it might be solely to see if I can actually do it and for my own personal enjoyment. I feel like my artistic outlets at the moment are all stale and I would really like to change that. As someone new to such a hobby I should probably start by making something easy, though I would like it to be as historically accurate as I can get it - though I know it will take money and time. I'm looking to start with a medieval dress, and if there is anyone out there that can help me source patterns that are as authentic as possible, or just someone with some useful tips that would be wonderful! Let me know below, I'd love to hear from you.

- VM

Tuesday, 17 November 2015

On This Day: 17th of November

On This Day: 
17th of November
Elizabeth 1 ascended the throne of England

Elizabeth in her coronation robes patterned with Tudor roses and trimmed in ermine, a symbol of purity.
Her hair is worn loose, as is traditional for the coronation of a queen, often symbolising virginity.
Unknown artist, The National Portrait Gallery.

On this day in 1558 Elizabeth the 1st ascended to the throne of England at the age of 25. Daughter to notorious tyrant King Henry VIII and his second wife Anne Boleyn, Elizabeth reigned for 45 years and was the fifth and last monarch of the Tudor dynasty.

The Tudors were not known for their moderation, and Elizabeth was certainly no exception to that but perhaps she managed it better. When people think of the reign of Elizabeth it is often referred to as a Golden Age; a time of extravagance and luxury. We can see that reflected through the works of Shakespeare and Marlowe as English drama flourished, and through explorers like Drake and Raleigh who were seeking riches and new territories in far off lands in order to bolster England. And when we think of Elizabeth herself we imagine her dressed in all her finery; sumptuous costumes, expensive jewellery and embellishments, with lavish court balls and theatre productions.

Elizabeth was a great follower of fashion and when in public would make a great show of her appearance. 

Clothing was an important status symbol of the Elizabethan era and no one was allowed to rival the Queen's appearance but they were expected to compliment her. Typically she would wear a chemise, a corset stiffened with wood or iron, a petticoat, a fathingale, stockings, a gown, sleeves, and neck and wrist ruffs. Accessories were common such as a fan, a pomander to ward off bad smells, as well as copious amounts of jewellery from earrings, necklaces, to brooches and watches, as well as a miniature prayer book attached to a girdle. Interesting romantic fact: Robert Dudley, Elizabeth's favourite, is said to have given her a watch encased in a bracelet, often known as the first wrist watch in England.
For outside Elizabeth would wear rich velvet cloaks, gloves of cloth or leather in the cold weather, hats in the warm and there were specific riding outfits for easier movement as well.

The Renaissance ideal of beauty was fair hair, a pallid complexion, bright eyes and red lips and Elizabeth was the embodiment of this when she was young.
Make up became an important part of her public costume towards the later years of her reign. She particularly wanted to cover up the scaring from smallpox and lines from ageing. To do this she would wear a fair amount of white lead and vinegar which acted as a kind of foundation known as ceruse, she would rouge her lips and paint her cheeks with red dye and white egg. Lead of course was an incredibly unsafe substance, and would slowly be entering her through her skin and poisoning her. 

Other Elizabethan's were hot on the Queen's trail and were constantly trying to emulate that perfect Renaissance look.
As a result all sorts of odd and dangerous concoctions were used to bleach freckles and treat blemishes, with sulphur, turpentine and mercury. These are of course toxic in nature and soon caused the skin to become grey and shrivelled. In order to rectify this they then tried to glaze the skin with raw egg white to produce a marble-like surface. False veins were often painted onto skin in order to emulate the transparency of paler skin types, vermilion [mercuric sulphide] was used to colour lips and eyes were brightened with drops of poisonous belladonna juice and then lined with kohl [powdered antimony]. Eyebrows were to be high, narrow and arched and the hair line high too so a lot of plucking was in order.

Elizabeth did try to take good care of her teeth, knowing that to keep them clean was important but of course dental care back then was not very good and rotting was inevitable, her teeth soon becoming blackened. Interesting and weird fact: Other Elizabethan women wanted to emulate the queen so badly that they would colour their own teeth black in solidarity. Wigs were also becoming increasingly popular in order to copy the Queen's signature red curls. Another odd yet notable beauty method: Elizabeth would stuff her mouth with rags in order to stop her cheeks looking so hollow as she grew older.



Elizabeth 1546                                                      The Rainbow Portrait, ageless 1600                     Attributed to Marcus Gheeraerts 1595           
                                                                                                                                                                                          

Elizabeth was fairly tolerant in terms of religion, moderate in governance and tried hard not to persecute others unlike in the reigns of her father and siblings. However her reign was fraught with struggles against her legitimacy and her capability at being able to rule as a woman. The Pope declared her illegitimate and as a result numerous conspiracies threatened her life. She was generally cautious in foreign affairs, carefully manoeuvring around the bigger players, France and Spain, until war with the latter was eventually inevitable. Though England’s defeat of the Spanish Armada in 1588 linked Elizabeth to one of the greatest military victories in English history.

From day one of her reign it was strongly expected that Elizabeth would marry. 
There was much speculation as to whom it might be, and there was never any shortage of suitors. Interestingly she never did. It became evident that she was in love with a childhood friend, Robert Dudley, in around 1559 and scandalous talk abounded as Elizabeth consistently denied those of more noble and suitable birth who vied for her hand in favour of her ‘favourite'. 

Robert Dudley, Earl of Leicester.
Waddesdon, The Rothschild Collection.

However it quickly became clear that she could never marry Dudley, even when his wife died in what some presumed to be dubious circumstances. She fell down some stairs... yes you read right. 
Her peers made their disapproval strongly known and she began to realise that she would not be able to rely upon them for support if she did take Dudley as her husband. She continued to ‘consider’ suitors until she was about fifty years old, more than likely in order to abate senior figures of state but with no real intention of marriage, whether that be because she had no interest in doing so because she could not have the one she loved, or because she did not want to share power with someone else, or perhaps because she was still affected by the execution of her mother by the hand of her father is still up for debate today, but it is known that she used herself and the potential of her hand in marriage as a powerful political tool in foreign and domestic policies.

Her unmarried status and the fact that she began to insist that she was married to her kingdom and her subjects under divine protection earned her the nickname The Virgin Queen, and this popular view of Elizabeth is reflected in the poetry and portraiture of the time and is carried on as a popular theme in portrayals of her today.


 Anne-Marie Duff, The Virgin Queen         Cate Blanchett, Elizabeth & Elizabeth: The Golden Age                         Helen Mirren, Elizabeth I


Elizabeth is generally regarded as one of the country’s most successful and popular monarchs; she was strong, quick-witted and intelligent, as well as being just as ruthless and calculating as any previous monarch had been before her. Of course the Tudors are famous for propaganda, and Elizabeth and her reign have become idealised over time, for example she made sure all her portraits never showed any real signs of ageing or imperfections although we know that she suffered from and was marked by the pox and then there's the inevitability of ageing itself, as well as this she projected a virginal persona despite the fact that she was linked to several romantic suitors throughout her reign including her ‘great love’ Dudley.

Her establishment of an English church helped to shape national identity today and her belief that faith was personal is an important message to all. She was mostly defensive in her foreign policies but certainly raised England’s status, she was always shrewd and when ultimately necessary decisive in leadership, causing her to be much feared by many abroad. And most importantly she was the only Tudor that came to realise that a monarch ruled by popular consent.

I always think it sad and ironic that Henry VIII was so madly obsessed with having a male heir in order to continue his legacy that when he finally got that wish with Edward [who died at the age of 15 and was king for only a few turbulent years] he was not aware that it was Elizabeth who was going to be the most successful and loved of his children. 

From the moment she was born she was not the strong and healthy son and heir that he so desperately wanted. He subsequently executed her mother, ill-fated Anne Boleyn, orchestrating her downfall and tarnishing her memory with false charges of incest and adultery before Elizabeth was but 3 years old. She was then palmed off into the care of others and effectively neglected for sometime; the head of young Elizabeth’s household for example had to beg the king for new clothes for the child, her having outgrown them. 
And she only returned to court properly when Henry married his sixth wife Catherine Parr close to the end of his reign and only upon Parr's suggestion.

Notably it is said that Elizabeth actually adored her father, regardless of all of this, and it can be said that during her own reign she was not only trying to rule and survive as a woman on the throne in the eyes of her subjects and the kingdom, but also in the eyes of her father that had gone before her. Elizabeth called upon her potentially idealised version of her parent-king and used it to strengthen herself as Queen. She went so far as to say that she had inherited so-called ‘masculine’ characteristics of authority, courage and shrewdness and saw herself not as a Queen but as a Prince. It is safe to say however that she was a much more tolerant female version of the father she emulated.

I like to think that Elizabeth had a strong dose of Anne in her veins too despite the projected embodiment of her father. A delightful piece of evidence to this lies in a Tudor propaganda portrait commissioned by Henry VIII in 1544, The Family of Henry VIII, Whitehall. It was intended to portray Henry’s ideal nuclear family, and to re-iterate his Act of Succession. The young Elizabeth is shown wearing a pendant in the shape of an “A”. Initial pendants were popular in Tudor times, and her mother Anne Boleyn had at least three; the “A” that Elizabeth is wearing in this portrait, the famous “B” that we associate with Anne and an “AB.” The pendant Elizabeth is wearing here probably belonged to her mother, and more than likely reflects a quiet act of defiance despite Henry having passed a royal edict that meant no one could ever speak of Anne Boleyn in the young princesses presence.

The Family of Henry VIII, c.1545.
Unknown.
Elizabeth is on the far right.
The Royal Collection on display at Hampton Court Palace.
Closeup of Elizabeth and her "A" necklace.

Beautifully 30 years after in 1575 she commissioned a gold locket ring covered in mother-of-pearl, rubies, diamonds and a giant pearl on the side. Upon opening the secret compartment it reveals the painted miniature reliefs of her mother and herself side by side. She never took the ring off her finger after it was made, wearing it until she died in 1603 when it was then taken off and handed to her successor James VI of Scotland as proof of her death. 

This ring is a beautiful and powerful object of unmistakable emotional value, providing controversy to an otherwise widely documented concept that Elizabeth was indifferent to the passing of her mother at the hands of her father at a very young age. 
Perhaps as her youth passed her by and her continuing persistence at projecting this firey-red-headed unstoppable leader was taking it's toll on the ageing queen and she required a quiet, personal comfort that only a mother could provide? It is interesting that Elizabeth continued to keep the silence about her mother even after all the years of silence from those around her on the subject and long after her father's death. Of course she was acutely aware that she needed to be seen as legitimate and any mention of her mother, Anne Boleyn, might rake up old, even though false, wounds given the taboo now associated with the name. Not to mention that she had every right to keep something secret and personal for herself alone.

Today marks the 457th anniversary of her ascension to the throne of England.




- VM

Know anything interesting about Elizabeth that you'd like to share with us? 
What are your thoughts on her character, and reign? Lets us know below!

Monday, 10 August 2015

Project Update August 2015

Hello Ghouls!

I don't usually write pieces regarding my personal life, so forgive me if this is something that you perhaps don't find very interesting, but today I've caught myself thinking an awful lot, and decided that maybe it is time for a little retrospective.

I've been away for a week on holiday in Egypt and during that time [and I'm certain this is a common occurrence for others too] I started to re-evaluate aspects of my life; what I want to happen next, what I would like to change, how I would like to develop as a person.

These are questions that I know we all ask ourselves, more than likely on a frequent basis, but we don't always see a straight forward answer to them. It's all good and well lounging on a boat in the baking Egyptian sun as it speeds across the Red Sea to a remote snorkelling location and thinking "yes, I'm going to change the way I think.." but am I really going to do that?

I'm the first to admit that motivation is a big issue for me, I'm so lacking in it that it is truly frightening. 2015 has quite literally flown by me at a worrying speed, and I've not been all too certain that I have achieved much in that time. So I thought I would take a good look at what I have been up too and uncover the positives.

Egypt 
July-August

Dealing with anxiety on a daily basis can often throw curveballs at you, for me personally there are a lot of things that can cause me to feel anxious or initiate an anxiety attack.
I'm not a fan of flying for one, and trying new things, or being put in a new or challenging situation can spark serious worry. So flying over to and back from Egypt is a pretty big deal for me, not to mention sailing out into the middle of the sea, jumping right on in it and swimming out to snorkelling locations. I'm proud to say that I did these things, and although they may potentially seem like little things to you, they were massive achievements for me.


25th Birthday
June

June saw me turn 25.
I personally thought this would be a game changer of sorts, but to be quite honest with myself, and you, it hasn't been. Though perhaps that is because I haven't been pushing myself as hard as I could in order to achieve things?

I went up to Newcastle early June and got to see one of my best friend's [Sarah] degree show work, as well as see the rest of my coven [Alice, Kay]. This is personally significant because all of these women are beautiful and unique, talented and strong and I am proud to know them. I think it is truly imperative to have a support group around you that can be both understanding and honest. Honesty is oftentimes rare, but is a quality I always promote and hold in highest regard. 


The Bowes Museum 
April - Present 

I started volunteering here in April. 
I have learnt and experienced a lot, and I have achieved some really unique things here. 
The 10th of July saw me attend the YSL preview evening where I was able to enjoy the spectacle of the event, as well as document it and gain experience within the field. I've also had an article published for This Is Durham which has been a great opportunity.


Petition 
March

I started a petition, that I won't go into detail about today, but it garnered much attention and it was ultimately successful in it's goal. This is something I am very proud of. It's important to stand up for what you believe in and for what is right.

Medieval Morticia
January - Present

I started MM in early January with the intention of exploring my creativity. 
Through this project I have opened an online shop, started this blog, and launched Instagram and Facebook pages to further connect with likeminded people.
Although MM is currently in her infancy the small network that has started to form around her is inspiring. I have found the individuals that make up this network to be equally interesting and talented, and I am excited to continue my interaction with you, and find new people to connect with as MM grows.








What have been some of your positive moments/achievements so far this year?
Let me know in the comments below!


- VM

Wednesday, 29 July 2015

Eucharistica

Eucharistica 
A book from my personal curio collection.

Eucharistica
Meditations and Prayers
From the mid 1800s.

This little hardback book of meditations and prayers is leather-bound and aged, with faded gold leaf edging. 

Two beautifully illustrated pages, boldly coloured with golden highlights, 
reminiscent of its Medieval predecessors.

Hidden within the pages was this lovely little card.

Eucharistica is from the Greek lexicon meaning 'the giving of thanks'.

The book contains a compilation of writings on the Eucharist written by 22 Divines of the Church of England in the 15th through to the 17th centuries, with an introduction by Samuel Wilberforce [1805-1873] a 19th century English bishop in the Church of England and one of the greatest public speakers of his day. He also famously spoke out against Charles Dawin's Theory of Evolution.

I am interested in sourcing a Catholic prayer book in order to see how the two might compare, as well as any other religious prayer books.

Do you know of any good places to source antique books? 
If so let me know in the comments below!

- VM

Instagram Giveaway!

Medieval Morticia's Instagram is hosting it's biggest giveaway yet!

Help us reach 500 followers and you could win 
five of our favourite handmade products worth £58!


To enter this giveaway you must follow the instructions.

1. Follow @medievalmorticia on Instagram
2. Share this photograph with your followers 
3. tag us @medievalmorticia 
with 4. hashtag #medievalmorticia500

Your Instagram profile must be public in order for us to see and count your entry.

Let us know in the comments below 
if you are taking part in our biggest giveaway to date!

- MM

Tuesday, 14 July 2015

Yves Saint Laurent: Style Is Eternal Preview In Photographs

I had the privilege of attending the Yves Saint Laurent: Style Is Eternal Preview 
held at The Bowes Museum on the 9th of July.

I was also given the wonderful opportunity of writing a guest blog on the evening for ThisIsDurham which can be found here. 

Here are a few images from the night!
All images are copyright ©VictoriaMcAfee.

The Royal Northern Sinfonia Wind Quintet
Drinks and canapés served in The Picture Galleries.
Devine food was provided by Michelin Star Executive Head Chef Richard Allen of Rockliffe Hall
Opening speech made by Sir Mark Wrightson, Chairman of The Bowes Museum
with Monsieur Pierre Berg
é, Président of the Fondation Pierre Bergé - Yves Saint Laurent and Mr Adrian Jenkins, Director of The Bowes Museum to the right.
Monsieur Pierre Bergé addresses Mr Adrian Jenkins, selected guests and gathered press.
Monsieur Pierre Bergé, Président of the Fondation Pierre Bergé - Yves Saint Laurent
Monsieur Pierre Bergé
Mr Adrian Jenkins, Director of The Bowes Museum
Select guests gather in The Picture Galleries to hear the opening speeches 
Room 2 - houses 13 pieces, plus accessories, collection boards and a video installation.
5 pieces sit in the main glass cases here on the right along with The Bowes' permanent textiles collection, highlighting the shows main themes: Haute Couture, Masculin-F
éminin, Transparence, Art and Spectaculaire as well as creating a unique dialogue between YSL's work and Bowes' own collection.



Collection of fashion embellishments

Room 2
Room 3 - houses 41 pieces, plus assesories, photographs, video footage,
photographic contact sheets and collection boards.
The show's main themes are fully explored here.






The recently rediscovered and restored Zéphirine dress.
The famous First Tuxedo or Le Smoking, popularised by Helmut Newton's iconic photographs.
A tuxedo for women, the first of its kind, and just one of the ways in which YSL pioneered minimalist, androgynous clothing for women in the modern world.
 


DJ Set by electronic band Hot Chip in The Picture Galleries.
The famous Silver Swan in all her glory.
All images are copyright ©VictoriaMcAfee.

The evening was a delightful combination of history and opulence, fashion and art, culinary expertise and musical appreciation, all aspects that highlight what the Bowes, and the North of England, can provide in terms of art and culture.

The opening weekend has been an absolute sell-out, so this is one not to be missed!
Make sure you get over to The Bowes Museum and see this exquisite piece of fashion/art history. 

>> I would highly recommend booking your tickets in advance! <<


Will you be attending? Let me know the comments below! 
And if you have been already this weekend please be sure to let me know what your favourite piece was!


LINKS


- VM